Tag Archives: Magazine of Art

“The difficulty of being ideal in an age of realism”

[For correct and critical edition of this letter, see Mehew 5, 1550.] To Charles Warren Stoddard [Colvin 1911, 2, pp. 320-322] Skerryvore, Bournemouth, Feb. 13th, 1886 My dear Stoddard, am a dreadful character; but, you see, I have at last … Continue reading

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They are to flash out before the world with our old friend of Kinnaird, The Body Snatcher

RLS had been unable to finish for the Pall Mall Christmas number the tale he had first intended; had tried the publishers with Markheim (afterwards printed in the collection called Merry Men), which proved too short; had then furbished up … Continue reading

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I think of giving ’em literature without words; and I believe if you were to try invisible illustration, it would enjoy a considerable vogue

Will Hicock Low was at that time teacher of drawing in the Cooper Institute, NY. [As usual, dots between square brackets indicate cuts made by Sidney Colvin. For full, correct and critical edition of this letter, see Mehew 5, 1327.] … Continue reading

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As for my wife, that was the best investment ever made by man

[As usual, dots between square brackets indicate cuts made by Sidney Colvin. For full, correct and critical edition of this letter, see Mehew 4, 1181.] To his mother [Colvin 1911, 2, pp. 181-182] La Solitude, Hyères [November 1883] My dear … Continue reading

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Sursum corda; faint heart never writ romance

[Dots between square brackets indicate cuts made by Sidney Colvin. For full, correct and critical edition of this letter, see Mehew 4, 1178.] To W.E. Henley [Colvin 1912, pp. 182-183] La Solitude, Hyères [? 15 November 1883] My dear excellent, … Continue reading

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Art is a virtue; and if I were the man I should be, my art would rise in the proportion of my life

[As usual, dots between square brackets indicate cuts made by Sidney Colvin. For full, correct and critical edition of this letter, see Mehew 4, 1172.] To Will H. Low [Colvin 1911, 2, pp. 170-172] La Solitude, Hyères [Postmark 27 October … Continue reading

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Art is a mill whose thirlage, in different ages, widens and contracts

The first part of the following refers to contributions of RLS to the Magazine of Art under Henley’s editorship. [Dots between square brackets indicate cuts made by Sidney Colvin. For full, correct and critical edition of this letter, see Mehew … Continue reading

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