Tag Archives: public

“The public are weary of statues that say nothing”

The letter was published in The Times of 6 September 1886. It is a reply to an attack on Auguste Rodin. The painter Edward Armitage had contributed several letters to that newspaper, writing that he believed the rejection of Rodin’s … Continue reading

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I do not like mankind; but men, and not all of these

[As usual, dots between square brackets indicate cuts made by Sidney Colvin. For full, correct and critical edition of this letter, see Mehew 5, 1510.] To Edmund Gosse [Colvin 1911, 2, pp. 311-315] Skerryvore, Bournemouth, Jan. 2nd, 1886 My dear … Continue reading

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It is path-breaking and epoch-making; but I do not think the public will be readily convoked to its perusal

[A usual, dots between square brackets indicate cuts made by Sidney Colvin. For full, correct and criticaledition of this letter, see Mehew 5, 1357.] To W.E. Henley [Colvin 1911, 2, pp. 260-261] Bonallie Towers, Bournemouth [Late December 1884] My dear … Continue reading

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My dear Henry James… the unpolished diamond is but a stone

[For correct and critical edition of this letter, see Mehew 5, 1346.] To Henry James [Colvin 1911, 2, pp. 254-256] Bonallie Towers, Branksome Park, Bournemouth, December 8, 1884 My dear Henry James, This is a very brave hearing from more … Continue reading

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Art is a diversion and a decoration, no triumph or effort is of value, nor anything worth reaching except charm

[Dots between square brackets indicate cuts made by Sidney Colvin. For full, correct and critical edition of this letter, see Mehew 4, 1238.] To Edmund Gosse [Colvin 1911, 2, pp. 206-208] La Solitude, Hyères, March 17, 1884 My dear Gosse, … Continue reading

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We do not seem to be so badly off for commanders

The allusions in the second paragraph are to the commanders in the Nile campaigns of those years. [Dots between square brackets indicate cuts made by Sidney Colvin. For full, correct and critical edition of this letter, see Mehew 4, 1227.] … Continue reading

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S’agit de la désenterrer. ‘Help!’ cries a buried masterpiece

The character of the Countess, in Prince Otto, was inspired by the Russian princess met in Mentone in 1874: “The Countess von Rosen, I have; I’ll never tell you who she is; it’s a secret; but I have known the … Continue reading

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